John Marin & Alfred Stieglitz: A Forty-Year Friendship
The idea that two artists could not only work together for years but also forge a great relationship with a silent understanding is impressive. That’s exactly the case for the photographer and gallery owner Alfred Stieglitz and the artist John Marin. The duo was introduced to each other in 1909 by the photographer Edward Steichen and became steadfast friends. Their goal was to showcase that watercolor was a significant medium in the art community, and they set out to do just that.
In 1910, Stieglitz first exhibited Marin's works at his 291 Gallery in New York City and continued to showcase his works almost every year thereafter. Stieglitz never seemed happier and loved praising the genius of Marin’s works, solidifying Marin as one of the masters of his craft. Stieglitz also published Marin’s etchings and provided consistent financial support to ensure that he could continue his craft. Those who knew the duo have said, “They both had a great deal of admiration for each other” and often drew inspiration from one another’s work.
Most of Marin's works were inspired by the Rockies in Maine; he painted them repeatedly from different angles, and these became some of his most sought-after pieces of art. As for Stieglitz, he spent his time growing his own photography business and galleries, showcasing the likes of Claude Monet and Georgia O’Keeffe. For two artists to achieve such success and remain lifelong friends is something that drew me to this duo. Make sure to visit the National Gallery at the Smithsonian in Washington, DC, which houses a large collection of both artists works.
Alfred Stieglitz and John Marin, 1931 (Photographed by Herbert J. Seligman)
